As all of you probably noticed, pretty much ever since this past spring, our work conditions at premieres have been getting worst and worst, day in and day out at every single one of them...
Something's happening and if we're not addressing it very soon and very strongly, we may end up being out of jobs sooner than we all planned for...
It seems that the whole "paparrazzo bubble" just spilled over to us and we are now being treated as the scum of the universe when we have nothing to do with paparrazzi.
Apparently photographers trashing and disrepecting seems to be the new trend, we're being disrespected as human beings, we're being disrespected as workers, we're being disrespected and trashed, period.
And I don't know for you guys, but I've just about had it. I'm not some kind of freak monster lurking for celebrity blood, I'm just a human being that happens to take pictures of WILLING celebrities for a living.
NYC's Event Photographer's proposed pledge :
I do not like being lied to my face and then called a liar when I try to set the record straight,
I do not like to be considered like some sort of disease that has to be eradicated,
I do not like the stress level any given premiere generates when it should all run smoothly,
I do not like to have to fight and misbehave to get a picture because of someone else's incompetence,
I do not enjoy screaming and pushing and shoving, if I did I'd play football,
I'd like to be listened to when I have something important and constructive / helpful to say to a PR,
I'd like to be able to cooperate and work together with PR's,
I'd like to be considered as a human being and treated accordingly,
I'd like to take nice pictures in an easy and agreable environment,
I'd like to make a living doing so,
I'd like...
Most publiscists we deal with are INCOMPETENT star f#@%$& fresh out of school with lukewarm water between the ears and no clue whatsoever of what decent working conditions for photographers mean...
So it seems we ought to put down in writing for their education what we need and what this business is about, how a premiere is supposed to be handled and what their job description implies.
Premieres are running smooth and easy in LA on a way more busy agenda than New York and still everything seems to be figured out and nicely oiled out there, so why can't we just have the same ease in our work as our LA fellows ?
Some of us have been talking about it, but talking is not going to do us any good, as a French comedian once said :
"One intellectual sitting will always but outrun by 2 walking assholes", or something like that...
We have to put together a letter to be sent to all studios and PR firms clearly explaining our business and our needs so we know for sure that they finally have a clue as to what to do with us.
Alongside that letter we have to get organized in such way that will allow us, after an outrageous display of incompetence (like tonight), to actually take action by sending a formal complaint letters to the head of publicity of the studio (with copy to the CEO if need be).
And last but not least, we ought to start using our power toward making sure we're being treated properly and are given decent work conditions, for example by going to the press (newspapers & mags) and TV to let it be known on a much wider scale than our little red carpets and blogs...
They don't care about us ?
Well let's MAKE them care !!
1) REDEFINE THE SITUATION
A movie premiere has two purposes :
- Screening the movie to the press and industry patrons
- Promoting the movie towards the press (and in the making getting millions of dollars worth of free advertising)
Fact : Studios and publicists are not doing us any favor by having us at a movie premiere, they NEED us both for the whole show of the red carpet AND most importantly for all the pictures we're going to send out to the magazines.
This reality got twisted around somehow along the way and it's to a point now where we should be grateful and kissing PR's feet for the mere fact that they allow us to do our jobs !!!!
How did that happen ?
We have to let the PR's know that if pictures are in huge numbers in the magazines every week, it is because we are out there every day shooting them, not by some divine intervention !!
And alongside this obvious statement, we have to make another point : the better the shooting conditons, the nicer the pictures...
We make a living taking pictures of celebrities and while doing so, we offer to the studios and publicists millions of dollars worth of free advertising and do we get any thanks for that ?
Nope, we get grim faces, abusive treatment and continuous trashing.
2) ACT AS A GROUP, UNITED WE'RE MORE POWERFUL
It appears that we will need in order to achieve something to get some sort of organization going to give us legitimacy as a group and weight in our point-making attempts.
Apparently the union structure is not possible for legal matters touching to our free lancing status...
So be it, we can incorporate ourselves, associate ourselves, whatever ourselves as long as it is legally acknowledged and give us power to take actions as a group.
Once we have that structure to work with, we have the power to pressure and negotiate, to be heard and respected by any means necessary...
We can from that point on, let it be known that we are now a group and that if you f@#% with one of us, you f@#$ with all of us and this will have CONSEQUENCES for you...
3) PUBLICIZE OURSELVES
Our first step as an organization of NY's Event Photographers is to introduce our "association" to :
- all PR firms and publicists we work with on a regular basis
- all press outlets we syndicate our pictures to in the US
- all TV networks, both local and national
Then we send out a "Guidelines to Nice and Easy Photo Ops" letter with detailled pointers, tips and advices :
- a photographer fully equipped and ready to work is about 3 to 4 feet wide, plan your space accordingly
- no photographer can take decent pictures from a third row position, plan your space accordingly
- 50+ photographers need a certain amount of time to fill in a photo pen, plan your check-in time accordingly
- black, white and reflective backdrops are reducing your chances of placement, grey and pale primary colors are always better
- photographers carry a lot of high voltage equipment, if the weather is uncertain, plan ahead for a big enough tent
- lights usually help and are most of the time welcomed by photographers
- barricades are always better than ropes
- closed press pits are better as they allow us to safely let our equipment out of our sight while shooting
- celebrities should be posing with as few "background noise" as possible
- nobody needs to idle on the carpet once arrivals have started
- celebrities are used to the red carpet step and repeat routine, they do not need a publicist to walk them through a photo line
- publicists and managers should stay out of the way when celebrities are posing
- if flashes are still going off please do not grab the celebrity, it's ruining the picture
- 30 full and real seconds of posing with rotating eye contact to as many photographers as possible, repeated x times down the carpet is all we need to get our shots
- in most cases, it comes down to a 3 minutes per celebrity photo op IF the posing is done and timed properly
- and so on and so forth...
This list is just an incentive, you're of course all welcome to chip in and add to it, I most definitely forgot a whole lot of pointers in there...
4) TAKE CONCRETE ACTIONS
Once these first 3 steps are behind us, then we can begin to actively lobby and fight for our rights to decent work conditions...
If, at any given event / premiere we witness serious disregard of any of our guidelines, we fire a letter / fax the very next day to the CEO and/or head of publicity of the studio/PR firm clearly stating what was wrong and what issues were not solved properly and ask for actions to be taken in order to assure this does not happen again.
If the letters are not enough and we still encounter the same troubles at following events, we take action either :
- on location by boycotting the event, demonstrating, whatever's appropriate and apt to make our point heard and taken...
- afterwards by going to the local and / or national press and issuing a statement to be printed / broadcasted
We'll have to lobby also towards our other press colleagues of print and TV to make sure that if we need to be heard on a point, we can count on them to back us up and give us a hand in the process.
If we really want to affirm our power and define a new set of rules for ourselves, we have to keep in mind that we'll most likely have to go to some extreme measures every once in a while, like :
- not shooting an event and making sure us not shooting makes the news instead of the event itself
- buying advertising space in key newspapers / magazine to issue statements towards studios / PR's
- law suits towards PR / Security with as much media coverage as possible
hopefully we won't have to go to these extreme situations, but if worst comes to worst, we have to be prepared to go all the way, to take a stand and force the change.
I know all of this sounds really good on a blog yet seems almost unachievable in real life, but my guess is, if we really start to get into it and do it one step at a time with cleverness and good timing, we can really achieve something here and finally be treated as human beings and with the respect any woman or man gets in any other line of work / business.
This is a first step, everyone's very welcome to contribute, add, moderate, advise, etc, etc, etc...
Let's get this ball rolling and see how far we can go and how much better our lives can be ;-)
Nicolas