He’s usually the cool guy who will chat with the paparazzi and nicely pose for pictures, but Adam Lambert too values his privacy – which explains why he got into a beach brawl with the paps the other day.
Judging by the photos that have surfaced online, Adam was out at the beach, planning to have nice day all for himself.
Somehow, the paps managed to track him down, even if he was in disguise, decked in shorts, a tank top, oversized shades and a huge straw hat.
In fact, the only thing that could have given him away for the glam rocker fans know on stage and in magazines was the fact that he had a mani-pedi in black polish.
As they started taking his picture and provoking him, as Adam himself says on Twitter, he lost his temper and got into a minor scuffle with one of the photographers.
While some pictures show that Adam grabbed the guy – either in an attempt to take his camera or to force him to leave – they don’t say who won, that is, if he managed to get away from the unwanted attention.
In the aftermath of the minor incident, Adam took to his Twitter to explain what had happened – and to point out that this kind of intrusion in his personal space is simply not ok.
“Eeew paparazzi killed my peaceful afternoon on the beach! #howisthisok?” Adam asks in his first tweet. He then goes on to explain what happened.
“They’re real good at provoking, but there ain’t any pics or video of the b.s. they spew out... Haha well... I lost my temper for a sec but wow it felt great lol MIAMI!!!” the singer further says.
Then, after seeing the pictures the photographers managed to snap of him, he tweets again to say they’re “hilarious” and to jokingly apologize for the unglamorous straw hat.
“Hahha the photos are hilarious !! Lol please everyone forgive me for that hat. - I was attempting a disguise- clearly failed. Hahah,” Adam notes on the same note.
JustJared says the incident took place on September 16, on South Beach, Fla., but doesn’t mention who started it or how it ended. Neither does it say whether the paparazzo in question is thinking of pressing charges, as they usually do in such cases.
September 17, 2010
September 14, 2010
Photog turns tables on Gibson
Embattled Mel Gibson had an odd encounter with the paparazzi in Los Angeles on Monday, as he attempted to film a snapper in the back of a car on his camera phone.
A smiling Gibson stepped out of his Mercedes after spotting a paparazzo on his tail, and walked back up the street to confront the photographer filming all the way.
But he wasn't expecting the barrage of pertinent questions, which was hurled at him as the two men filmed each other.
In the footage, which debuted on new U.S. show Access Hollywood Live on Tuesday, the actor/director asked the snapper to wind his window down so he could get a good shot of him on his phone, and asked, "What's the matter, got nothing better to do?"
The photographer obliged and decided to use the opportunity to quiz Gibson about his summer legal woes with ex-girlfriend Oksana Grigorieva, who accused the Braveheart star of lashing out at her in a fight.
The snapper asked, "I just wondered if you really hit Oksana," and then added, "Do you think you'll ever make a movie in Hollywood again?"
The paparazzo continued, calling out Gibson for remarks he has allegedly made against Jews, blacks, Latinos and homosexuals, adding, "Do you ever think you'll ever get anybody of any race or any creed or sexual orientation ever to work for you for free from all the different colleges you asked for free interns from?"
The smile never slipped from cool Gibson's face as he fixed his camera phone on the snapper, and the actor responded by stating, "You got a lot of dialogue, don't you."
The snapper asked, "Do you have anything to say for yourself?", prompting Gibson to retort, "Not to you, I just wanted to film you... Thanks for following us around."
And when the snapper revealed he was a card-carrying member of the Screen Actors Guild, the Aussie actor cracked, "Wanna job? I guess you need one."
Before walking away, the movie star added one final salvo, asking, "What's it like sniffing other people's laundry?"
But the snapper got the last word in, shouting after Gibson, "Hey, do you think I can have my money back for all the tickets I had to pay for those movies? I'm filing a class action lawsuit on behalf of the whole world."
A smiling Gibson stepped out of his Mercedes after spotting a paparazzo on his tail, and walked back up the street to confront the photographer filming all the way.But he wasn't expecting the barrage of pertinent questions, which was hurled at him as the two men filmed each other.
In the footage, which debuted on new U.S. show Access Hollywood Live on Tuesday, the actor/director asked the snapper to wind his window down so he could get a good shot of him on his phone, and asked, "What's the matter, got nothing better to do?"
The photographer obliged and decided to use the opportunity to quiz Gibson about his summer legal woes with ex-girlfriend Oksana Grigorieva, who accused the Braveheart star of lashing out at her in a fight.
The snapper asked, "I just wondered if you really hit Oksana," and then added, "Do you think you'll ever make a movie in Hollywood again?"
The paparazzo continued, calling out Gibson for remarks he has allegedly made against Jews, blacks, Latinos and homosexuals, adding, "Do you ever think you'll ever get anybody of any race or any creed or sexual orientation ever to work for you for free from all the different colleges you asked for free interns from?"
The smile never slipped from cool Gibson's face as he fixed his camera phone on the snapper, and the actor responded by stating, "You got a lot of dialogue, don't you."
The snapper asked, "Do you have anything to say for yourself?", prompting Gibson to retort, "Not to you, I just wanted to film you... Thanks for following us around."
And when the snapper revealed he was a card-carrying member of the Screen Actors Guild, the Aussie actor cracked, "Wanna job? I guess you need one."
Before walking away, the movie star added one final salvo, asking, "What's it like sniffing other people's laundry?"
But the snapper got the last word in, shouting after Gibson, "Hey, do you think I can have my money back for all the tickets I had to pay for those movies? I'm filing a class action lawsuit on behalf of the whole world."
September 13, 2010
Photographers Rights- Photography in Public Places
1. You can make a photograph of anything and anyone on any public property, except where a specific law prohibits it.
i.e. streets, sidewalks, town squares, parks, government buildings open to the public, and public libraries.
2. You may shoot on private property if it is open to the public, but you are obligated to stop if the owner requests it.
i.e. malls, retail stores, restaurants, banks, and office building lobbies.
3. Private property owners can prevent photography ON their property, but not photography OF their property from a public location.
4. Anyone can be photographed without concent when they are in a public place unless there is a reasonable expectation of privacy.
i.e. private homes, restrooms, dressing rooms, medical facilities, and phone booths.
5. Despite misconceptions, the following subjects are almost always permissible:
* accidents, fire scenes, criminal activities
* children, celebrities, law enforcement officers
* bridges, infrastructure, transportation facilities
* residential, commercial, and industrial buildings
6. Security is rarely an acceptable reason for restricting photography. Photographing from a public place cannot infringe on trade secrets, nor is it terrorist activity.
7. Private parties cannot detain you against your will unless a serious crime was committed in their presence. Those that do so may be subject to criminal and civil charges.
8. It is a crime for someone to threaten injury, detention, confiscation, or arrest because you are making photographs.
9. You are not obligated to provide your identity or reason for photographing unless questioned by a law enforcement officer and state law requires it.
10. Private parties have no right to confiscate your equipment without a court order. Even law enforcement officers must obtain one unless making an arrest.
When confronted, threatened with detention or the confiscation of equipment, ask the following questions:
* What is your name?
* What is the name of your employer?
* May I leave? If not, what is the legal basis of my detention?
* If equipment is being demanded, what is the legal basis for the confiscation?
http://en.wikipedia.org/wiki/Public_place#Restrictions_on_state_action_in_public_spaces_in_the_United_States http://en.wikipedia.org/wiki/Photography_and_the_law
http://www.flickr.com/groups/nomorefreephotos/discuss/72157604655395007/ http://www.krages.com/bpkphoto.htm
http://www.usatoday.com/tech/columnist/andrewkantor/2006-08-11-photography-rights_x.htm
i.e. streets, sidewalks, town squares, parks, government buildings open to the public, and public libraries.
2. You may shoot on private property if it is open to the public, but you are obligated to stop if the owner requests it.
i.e. malls, retail stores, restaurants, banks, and office building lobbies.
3. Private property owners can prevent photography ON their property, but not photography OF their property from a public location.
4. Anyone can be photographed without concent when they are in a public place unless there is a reasonable expectation of privacy.
i.e. private homes, restrooms, dressing rooms, medical facilities, and phone booths.
5. Despite misconceptions, the following subjects are almost always permissible:
* accidents, fire scenes, criminal activities
* children, celebrities, law enforcement officers
* bridges, infrastructure, transportation facilities
* residential, commercial, and industrial buildings
6. Security is rarely an acceptable reason for restricting photography. Photographing from a public place cannot infringe on trade secrets, nor is it terrorist activity.
7. Private parties cannot detain you against your will unless a serious crime was committed in their presence. Those that do so may be subject to criminal and civil charges.
8. It is a crime for someone to threaten injury, detention, confiscation, or arrest because you are making photographs.
9. You are not obligated to provide your identity or reason for photographing unless questioned by a law enforcement officer and state law requires it.
10. Private parties have no right to confiscate your equipment without a court order. Even law enforcement officers must obtain one unless making an arrest.
No one can force you to delete photos you have made.
When confronted, threatened with detention or the confiscation of equipment, ask the following questions:
* What is your name?
* What is the name of your employer?
* May I leave? If not, what is the legal basis of my detention?
* If equipment is being demanded, what is the legal basis for the confiscation?
http://en.wikipedia.org/wiki/Public_place#Restrictions_on_state_action_in_public_spaces_in_the_United_States http://en.wikipedia.org/wiki/Photography_and_the_law
http://www.flickr.com/groups/nomorefreephotos/discuss/72157604655395007/ http://www.krages.com/bpkphoto.htm
http://www.usatoday.com/tech/columnist/andrewkantor/2006-08-11-photography-rights_x.htm
August 31, 2010
Calif. Assembly OKs bill to send reckless paparazzi to jail
Photogs who break traffic laws to snap celebs face a year in prison and up to a $5,000 fine
The California Assembly overwhelmingly approved a bill Tuesday that will impose harsh penalties on paparazzi who drive recklessly to get pictures of celebrities. Tuesday is the 13th anniversary of the death of Princess Diana, whose death 1997 death in Paris was widely attributed to a high speed chase between a car ferrying the princess and photographers.
The bill originated in and passed the Assembly in June, then was modified by the Senate. It passed Tuesday's Assembly reconfirmation vote 43-13.
It now heads to Gov. Schwarzenegger for a signature. Boosters of the bill speculated that the governor would sign the act into law, noting that he and his wife were themselves driven off the road by paparazzi in 1997.
Various media organizations and the California Newspaper Publishers Association have protested the bill, saying that it criminalizes normal news-gathering practices.
But the bill's proponents, who included Jennifer Aniston and Reese Witherspoon, countered that the tougher measures protected not just celebrities but their children and anyone caught in the crossfire during high-speed chases.
"We feel this new law will improve public safety in general and hopefully prevent anyone else from getting hurt,” Sean Burke, founder and CEO of the Paparazzi Reform Initiative, said in a statement.
California first passed anti-paparazzi legislation in 1998, a year after Diana's death. The legislature amended that law in 2005 and again in 2009.
Tuesday's vote occurs on the anniversary of Princess Diana's death.
August 30, 2010
Toronto Film Fest enacts rules for paparazzi
Reservations will be required for red carpet access
That's the new red carpet rule for paparazzi at the Toronto International Film Festival, where media outlets this September will be required to RSVP before being assigned nightly vantage points to snap the stars.
Jettisoning the old lottery system and red carpet jostling, Toronto will see celebrity camera crews and photographers each morning reserve by email the films they want to cover that afternoon and evening.
Paparazzi will then receive an email confirming whether or not they were granted a spot at their desired red carpet.
TIFF organizers are determined to make their new rules for snappers stick.
"Red carpet assignments will be made for each and every carpet -- media outlets will not retain the same spot on every carpet, on every night or at every venue," the festival said in its new red carpet protocol released on the weekend.
Organizers will not take reservations by phone, only email, and insist they will assign spots on the red carpet according to a film's audience, reach and geography, among other criteria.
Establishing etiquette among paparazzo in Toronto comes as fest organizers have extended red carpets outside a host of festival venues, and charged cinema-goers extra for the privilege of seeing their favorite stars strut into theaters.
July 28, 2010
Photog Killed as Wedding Couple Poses With Guns
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One of them turned out to be loaded!
A wedding photographer in Italy who convinced the couple to pose with guns got shot to death when one went off. The bride's parents, who provided the weapons, face charges of negligence for not making sure they were unloaded, reports the Daily Mirror. The 45-year-old victim was filling in for the regular photographer.
"From what we have been able to establish, the photographer had asked the parents of the bride and groom if they had any guns to use as props in a picture and one went off hitting him in the head killing him," said a police spokesman.
Read the rest of the story HERE.
July 26, 2010
Freedom of photography: Police, security often clamp down despite public right
By Annys Shin
Washington Post Staff Writer
A few weeks ago, on his way to work, Matt Urick stopped to snap a few pictures of the U.S. Department of Housing and Urban Development's headquarters. He thought the building was ugly but might make for an interesting photo. The uniformed officer who ran up to him didn't agree. He told Urick he was not allowed to photograph federal buildings.
Urick wanted to tell the guard that there are pictures of the building on HUD's Web site, that every angle of the building is visible in street views on Google Maps and that he was merely an amateur photographer, not a threat. But Urick kept all this to himself.
"A lot of these guys have guns and are enforcing laws they obviously don't understand, and they are not to be reasoned with," he said. After detaining Urick for a few minutes and conferring with a colleague on a radio, the officer let him go.
Courts have long ruled that the First Amendment protects the right of citizens to take photographs in public places. Even after the terrorist attacks of Sept. 11, 2001, law enforcement agencies have reiterated that right in official policies.
But in practice, those rules don't always filter down to police officers and security guards who continue to restrict photographers, often citing authority they don't have. Almost nine years after the terrorist attacks, which ratcheted up security at government properties and transportation hubs, anyone photographing federal buildings, bridges, trains or airports runs the risk of being seen as a potential terrorist.
Reliable statistics on detentions and arrests of photographers are hard to come by, but photographers, their advocates and even police agree that confrontations still occur frequently. Photographers had run-ins with police before the 2001 attacks, but constitutional lawyers say the combination of heightened security concerns and the spread of digital cameras has made such incidents more common.
In the past month, in addition to Urick's encounter, a retired oceanographer said he was threatened with arrest for snapping pictures of a federal courthouse in Silver Spring, and an Alexandria man was briefly detained for photographing police making a traffic stop in Georgetown.
(Traffic stop video sparks debate over police use of wiretap laws)
Law enforcement officials have a hard time explaining the gap between policy and practice. The disconnect, legal experts say, may stem from a dearth of guidelines about how to balance security concerns with civil liberties.
"Security guards are often given few rules to follow, but they have clearly gotten the message that they need to be extra vigilant," said Kent Willis, executive director of the American Civil Liberties Union of Virginia. "In the end, it seems you never know how a particular security guard is going to react."
Clarifying the law
Last year, New York City police sought to clarify the rules on photography with a directive to all officers. It said that photography is "rarely unlawful" and that officers have no right to demand to see photos or to delete them. Like Washington, New York is a potential terrorist target but also a major tourist destination, and as a result, the directive said, "practically all such photography will have no connection to terrorism or unlawful conduct."
Police officials say officers who seek to stop photography are driven by safety concerns and the fact that the presence of a camera can spike emotions.
"When people see a camera, they get more into it," said Marcello Muzzatti, president of D.C. Lodge No. 1 of the Fraternal Order of Police, which represents 11,000 officers in more than 100 D.C. and federal agencies. "Some people will figure, 'I have a right to take pictures,' and we are not arguing with that. An officer also has a right to his or her safety and to control the situation."
The flip side of that coin is that "photography creates a relatively objective record," said Catherine Crump, a lawyer with the ACLU's national office. "The police certainly realize this, which is why they routinely record their interaction with citizens. And there is no reason why people should be deprived of that same tool."
Photographers are challenging unwarranted restrictions by collecting hundreds of photos that prompted police questioning, detention or arrest; the pictures are posted on online photo sharing sites such as Flickr.
Local photographers are also testing trouble spots, especially outside federal buildings, many of which are guarded by the Federal Protective Service, an agency in the Department of Homeland Security that has 1,225 officers and 15,000 contract guards to secure more than 9,000 buildings nationwide.
Erin McCann of the District elicited laughter at a congressional hearing last fall when she described an encounter with an FPS officer at the Transportation Department headquarters in Southeast. The officer told her it was illegal to photograph federal buildings. When McCann asked what law stated that, the officer cited Title 18 of the U.S. Code. Title 18 is the name of the entire body of U.S. criminal law.
Official FPS guidance, issued in 2004, reads: "Please understand there is no prohibition against photographing the DOT or FAA headquarters buildings." The Transportation Department later wrote to McCann, saying that the officer had been wrong. FPS is revising its photography policy, spokesman Michael Keegan said.
Local shutterbugs give higher marks to Metro, saying the transit agency has worked to ensure that its employees know photography is allowed in and around its stations. (The exception is the Pentagon Station, which is Pentagon property.)
"We believe that [the Metro system] is a tourist attraction as much as the Washington Monument," agency spokeswoman Lisa Farbstein said.
Unwelcome civics lessons
Photographers say police need to be told explicitly not to prohibit photography, because officers often don't respond well to impromptu citizen lectures on constitutional law.
In March, two Transportation Security Administration officials didn't take kindly to First Amendment arguments made by Jerome Vorus of Alexandria. The college student was taking photos on a public concourse at Reagan National Airport for his aviation blog when he was stopped and questioned.
Vorus, 19, said TSA workers told him he was not allowed to take pictures of the security checkpoint or TSA personnel. The TSA does not prohibit photographing, videotaping or filming at screening locations, spokeswoman Lauren Gaches said. TSA employees may ask photographers to stop only if they are interfering with the screening process or taking pictures of X-ray monitor screens, which Vorus says he was not doing.
After a lengthy back-and-forth, Vorus snapped photos of two airports authority police officers who had been called in to help. He says one officer tackled him, took his camera and deleted pictures.
"This is assault!" Vorus can be heard shouting on an audio recording he made of the incident. An airports authority investigation was "inconclusive" about whether the officer tackled Vorus or deleted his pictures but concluded the officer did violate unnamed airport policies. Authority spokesman Robert Yingling declined to comment further on the investigation.
This month, Vorus had another run-in, this time with D.C. police, as he photographed a traffic stop that he happened upon in Georgetown. He was questioned, detained and then let go.
Police say they were justified in stopping him because was taking photos of the inside of the squad car. Vorus, who was 20 feet away, says he "wasn't trying to make a point or cause a scene" but was merely asserting his rights.
Second District Cmdr. Matthew Klein said there is no official prohibition against photographing the interior of a squad car. But he said officers acted appropriately because they thought Vorus was escalating the situation.
"They had a situation developing," Klein said. "They had to make a call."
Washington Post Staff Writer
A few weeks ago, on his way to work, Matt Urick stopped to snap a few pictures of the U.S. Department of Housing and Urban Development's headquarters. He thought the building was ugly but might make for an interesting photo. The uniformed officer who ran up to him didn't agree. He told Urick he was not allowed to photograph federal buildings.
Urick wanted to tell the guard that there are pictures of the building on HUD's Web site, that every angle of the building is visible in street views on Google Maps and that he was merely an amateur photographer, not a threat. But Urick kept all this to himself.
"A lot of these guys have guns and are enforcing laws they obviously don't understand, and they are not to be reasoned with," he said. After detaining Urick for a few minutes and conferring with a colleague on a radio, the officer let him go.
Courts have long ruled that the First Amendment protects the right of citizens to take photographs in public places. Even after the terrorist attacks of Sept. 11, 2001, law enforcement agencies have reiterated that right in official policies.
But in practice, those rules don't always filter down to police officers and security guards who continue to restrict photographers, often citing authority they don't have. Almost nine years after the terrorist attacks, which ratcheted up security at government properties and transportation hubs, anyone photographing federal buildings, bridges, trains or airports runs the risk of being seen as a potential terrorist.
Reliable statistics on detentions and arrests of photographers are hard to come by, but photographers, their advocates and even police agree that confrontations still occur frequently. Photographers had run-ins with police before the 2001 attacks, but constitutional lawyers say the combination of heightened security concerns and the spread of digital cameras has made such incidents more common.
In the past month, in addition to Urick's encounter, a retired oceanographer said he was threatened with arrest for snapping pictures of a federal courthouse in Silver Spring, and an Alexandria man was briefly detained for photographing police making a traffic stop in Georgetown.
(Traffic stop video sparks debate over police use of wiretap laws)
Law enforcement officials have a hard time explaining the gap between policy and practice. The disconnect, legal experts say, may stem from a dearth of guidelines about how to balance security concerns with civil liberties.
"Security guards are often given few rules to follow, but they have clearly gotten the message that they need to be extra vigilant," said Kent Willis, executive director of the American Civil Liberties Union of Virginia. "In the end, it seems you never know how a particular security guard is going to react."
Clarifying the law
Last year, New York City police sought to clarify the rules on photography with a directive to all officers. It said that photography is "rarely unlawful" and that officers have no right to demand to see photos or to delete them. Like Washington, New York is a potential terrorist target but also a major tourist destination, and as a result, the directive said, "practically all such photography will have no connection to terrorism or unlawful conduct."
Police officials say officers who seek to stop photography are driven by safety concerns and the fact that the presence of a camera can spike emotions.
"When people see a camera, they get more into it," said Marcello Muzzatti, president of D.C. Lodge No. 1 of the Fraternal Order of Police, which represents 11,000 officers in more than 100 D.C. and federal agencies. "Some people will figure, 'I have a right to take pictures,' and we are not arguing with that. An officer also has a right to his or her safety and to control the situation."
The flip side of that coin is that "photography creates a relatively objective record," said Catherine Crump, a lawyer with the ACLU's national office. "The police certainly realize this, which is why they routinely record their interaction with citizens. And there is no reason why people should be deprived of that same tool."
Photographers are challenging unwarranted restrictions by collecting hundreds of photos that prompted police questioning, detention or arrest; the pictures are posted on online photo sharing sites such as Flickr.
Local photographers are also testing trouble spots, especially outside federal buildings, many of which are guarded by the Federal Protective Service, an agency in the Department of Homeland Security that has 1,225 officers and 15,000 contract guards to secure more than 9,000 buildings nationwide.
Erin McCann of the District elicited laughter at a congressional hearing last fall when she described an encounter with an FPS officer at the Transportation Department headquarters in Southeast. The officer told her it was illegal to photograph federal buildings. When McCann asked what law stated that, the officer cited Title 18 of the U.S. Code. Title 18 is the name of the entire body of U.S. criminal law.
Official FPS guidance, issued in 2004, reads: "Please understand there is no prohibition against photographing the DOT or FAA headquarters buildings." The Transportation Department later wrote to McCann, saying that the officer had been wrong. FPS is revising its photography policy, spokesman Michael Keegan said.
Local shutterbugs give higher marks to Metro, saying the transit agency has worked to ensure that its employees know photography is allowed in and around its stations. (The exception is the Pentagon Station, which is Pentagon property.)
"We believe that [the Metro system] is a tourist attraction as much as the Washington Monument," agency spokeswoman Lisa Farbstein said.
Unwelcome civics lessons
Photographers say police need to be told explicitly not to prohibit photography, because officers often don't respond well to impromptu citizen lectures on constitutional law.
In March, two Transportation Security Administration officials didn't take kindly to First Amendment arguments made by Jerome Vorus of Alexandria. The college student was taking photos on a public concourse at Reagan National Airport for his aviation blog when he was stopped and questioned.
Vorus, 19, said TSA workers told him he was not allowed to take pictures of the security checkpoint or TSA personnel. The TSA does not prohibit photographing, videotaping or filming at screening locations, spokeswoman Lauren Gaches said. TSA employees may ask photographers to stop only if they are interfering with the screening process or taking pictures of X-ray monitor screens, which Vorus says he was not doing.
After a lengthy back-and-forth, Vorus snapped photos of two airports authority police officers who had been called in to help. He says one officer tackled him, took his camera and deleted pictures.
"This is assault!" Vorus can be heard shouting on an audio recording he made of the incident. An airports authority investigation was "inconclusive" about whether the officer tackled Vorus or deleted his pictures but concluded the officer did violate unnamed airport policies. Authority spokesman Robert Yingling declined to comment further on the investigation.
This month, Vorus had another run-in, this time with D.C. police, as he photographed a traffic stop that he happened upon in Georgetown. He was questioned, detained and then let go.
Police say they were justified in stopping him because was taking photos of the inside of the squad car. Vorus, who was 20 feet away, says he "wasn't trying to make a point or cause a scene" but was merely asserting his rights.
Second District Cmdr. Matthew Klein said there is no official prohibition against photographing the interior of a squad car. But he said officers acted appropriately because they thought Vorus was escalating the situation.
"They had a situation developing," Klein said. "They had to make a call."
July 20, 2010
Paris Hilton complains about paparazzi...again
Paris Hilton photographed topless.....is that really a surprise? Aren't the majority of Paris Hilton photos on the web of her partially naked?
Paris Hilton is upset with the photographer who snapped shots of her jet skiing topless this past weekend off the coast of Sardenia. She Tweeted: "Note to Self - Beware. You never know when some perv paparazzi may be lurking and hiding on a fishing boat in the middle of the ocean."
Note to self Paris Hilton...stop taking off your clothes in public! Maybe if you did that you wouldn't have to worry about perv paparazzi taking pictures of you naked now would you? Besides, who are you kidding Paris Hilton? You love this kind of attention. If it weren't for this type of coverage no one would even be talking about you anymore. You are a reality show has-been. Your fifteen minutes of fame are over and done with. You used to be one of the highest searched names in Google and now you are nowhere to bee seen.
If you want to stop being photographed naked then stop taking off your clothes where people can see. If you want to continue to be treated like a piece of meat then continue doing what your doing. You put yourself in this situation Paris Hilton by acting like you did when you first came into the public eye. You can't expect the paparazzi to change their actions unless you change yours.
Paris Hilton is upset with the photographer who snapped shots of her jet skiing topless this past weekend off the coast of Sardenia. She Tweeted: "Note to Self - Beware. You never know when some perv paparazzi may be lurking and hiding on a fishing boat in the middle of the ocean."
Note to self Paris Hilton...stop taking off your clothes in public! Maybe if you did that you wouldn't have to worry about perv paparazzi taking pictures of you naked now would you? Besides, who are you kidding Paris Hilton? You love this kind of attention. If it weren't for this type of coverage no one would even be talking about you anymore. You are a reality show has-been. Your fifteen minutes of fame are over and done with. You used to be one of the highest searched names in Google and now you are nowhere to bee seen.
If you want to stop being photographed naked then stop taking off your clothes where people can see. If you want to continue to be treated like a piece of meat then continue doing what your doing. You put yourself in this situation Paris Hilton by acting like you did when you first came into the public eye. You can't expect the paparazzi to change their actions unless you change yours.
July 8, 2010
Getty Images referred to Competition Commission in Rex Features acquisition
The Office of Fair Trading had been evaluating Getty Images' acquisition of Rex Features since the deal was first announced in April.
Rex Features was founded in 1954 by Frank and Elizabeth Selby as a daily news and entertainment picture agency. Over the years, it represented the work of photographers such as Richard Young, SIPA Press, as well as the archives of the Daily Mail, Mail on Sunday and Evening Standard newspapers.
On 26 April, Rex Features entered into a definitive agreement to sell its assets to Getty. However, the acquisition had first to be approved by the Office of Fair Trading. Now, the deal is likely to be delayed until the end of the year, as Getty must wait for the Competition Commission's report.
In a statement, the Office of Fair Trading says: "Getty and Rex are two of the largest suppliers of photographic images for editorial use by publications in the UK. Getty has significant strength in the supply of both archive and current entertainment-related editorial images. The OFT is concerned that, if the merger is allowed to go ahead, the loss of Rex as an independent competitor could enable Getty to increase prices for customers."
It adds: "During its investigation, the OFT heard a significant number of concerns from third parties, which supported the view that the profiles and extensive image archives of Getty and Rex mean they are close competitors. The OFT considered carefully whether there would be sufficient constraint on Getty from existing agencies and/or new entrants into the market. However, the evidence available on this was inconclusive, and therefore there remains a realistic prospect of a substantial lessening of competition."
Amelia Fletcher, the senior director of mergers at the Office of Fair Trading, adds: "A number of publishers, the key customers in this market, are concerned about the potential impact of the acquisition. Some of the information available to the OFT in this case was patchy and inconsistent. We have not been able to rule out competition concerns on the basis of this evidence, and so the right course of action is to refer the merger for a fuller investigation by the Competition Commission.'
The Competition Commission is expected to report by 23 December 2010.
In April, Jonathan Klein, Getty's co-founder, welcomed the acquisition. "Celebrity and entertainment content is a growing and vital part of the editorial imagery industry and this acquisition positions us to meet and exceed the demand for nearly instantaneous material," he said.
Getty has said that it would retain the Rex Features brand, while combining the agency's resources with the giant stock agency. It added that "Getty Images’ global distribution channels will increase international customers’ access to Rex Features’ products and services."
Developing...
On 26 April, Rex Features entered into a definitive agreement to sell its assets to Getty. However, the acquisition had first to be approved by the Office of Fair Trading. Now, the deal is likely to be delayed until the end of the year, as Getty must wait for the Competition Commission's report.
In a statement, the Office of Fair Trading says: "Getty and Rex are two of the largest suppliers of photographic images for editorial use by publications in the UK. Getty has significant strength in the supply of both archive and current entertainment-related editorial images. The OFT is concerned that, if the merger is allowed to go ahead, the loss of Rex as an independent competitor could enable Getty to increase prices for customers."
It adds: "During its investigation, the OFT heard a significant number of concerns from third parties, which supported the view that the profiles and extensive image archives of Getty and Rex mean they are close competitors. The OFT considered carefully whether there would be sufficient constraint on Getty from existing agencies and/or new entrants into the market. However, the evidence available on this was inconclusive, and therefore there remains a realistic prospect of a substantial lessening of competition."
Amelia Fletcher, the senior director of mergers at the Office of Fair Trading, adds: "A number of publishers, the key customers in this market, are concerned about the potential impact of the acquisition. Some of the information available to the OFT in this case was patchy and inconsistent. We have not been able to rule out competition concerns on the basis of this evidence, and so the right course of action is to refer the merger for a fuller investigation by the Competition Commission.'
The Competition Commission is expected to report by 23 December 2010.
In April, Jonathan Klein, Getty's co-founder, welcomed the acquisition. "Celebrity and entertainment content is a growing and vital part of the editorial imagery industry and this acquisition positions us to meet and exceed the demand for nearly instantaneous material," he said.
Getty has said that it would retain the Rex Features brand, while combining the agency's resources with the giant stock agency. It added that "Getty Images’ global distribution channels will increase international customers’ access to Rex Features’ products and services."
Developing...
June 20, 2010
Another Mistrial Declared in Matthew McConaughey Surf Battle CaseAnother Mistrial Declared in Matthew McConaughey Surf Battle Case
MALIBU, Calif. — A mistrial was declared Friday in the battery case against two surfers accused of beating up a member of the paparazzi on a Malibu beach two years ago.
Skylar Peak, 26, and Philip Hildebrand, 31, were each facing one count of misdemeanor battery stemming from the June 2008 incident. They were accused of attacking French paparazzo Rachid Aitmbareck as he attempted to snap pictures of actor and surfer enthusiast Matthew McConaughey.
The judge also declared a mistrial in March after learning Peak's mother was seriously injured in a car accident.
"These men, at least in the interim, have gotten away with their offenses in the guise of protecting the community from paparazzi," the photographer's attorney, Bryan Altman, told the Los Angeles Times.
Both sides were ordered to return to court on July 2 to determine if the men will be retried.
Skylar Peak, 26, and Philip Hildebrand, 31, were each facing one count of misdemeanor battery stemming from the June 2008 incident. They were accused of attacking French paparazzo Rachid Aitmbareck as he attempted to snap pictures of actor and surfer enthusiast Matthew McConaughey.
The judge also declared a mistrial in March after learning Peak's mother was seriously injured in a car accident.
"These men, at least in the interim, have gotten away with their offenses in the guise of protecting the community from paparazzi," the photographer's attorney, Bryan Altman, told the Los Angeles Times.
Both sides were ordered to return to court on July 2 to determine if the men will be retried.
June 15, 2010
Starbucks: Free Wi-Fi at 6,700 US sites
Transmit Photos For Free!
Starbucks Corp. will begin offering unlimited free Wi-Fi at all of its company-operated U.S. locations next month, part of an ongoing effort to bring more customers in the door.
The free wireless Internet will be available July 1 at about 6,700 locations.
June 13, 2010
How Far Is Too Far For The Paparazzi?
There is a question that needs to be asked, and that is, how far is too far for the Paparazzi? We all witnessed what happened in 1997. If you have no idea what I am talking about, it is the death of Princess Diana. The paps were swarming and in an attempt to get away from them, her boyfriend's (Dodi Fayed) driver lost control, and in a tunnel in Paris, one of the sweetest woman ever was gone.
In a similar scenario, Mad Men star, January Jones almost suffered the same fate Thursday night. In an attempt to get away from the swarming paps, she swerved and hit 3 parked cars. Early on, the police thought it was a hit and run, but it was far from it. January walked a few blocks to her home to call 911 and then returned to the scene, but again, for the paps, how far is too far.
There is a new law in California that is in the works, where photographers will now have to obey celebs privacy, but really is that good enough. In this over exposed world that we live now, it is not out of the realm to see photographers popping out of trees, and staking out favorite hot spots that celebs frequent.
What we are saying is, we understand magazines have to stay in business by taking pictures and writing stories, but why go to the extent of making these celebs cause harm to themselves just to get away from you.
In the past 6 months, some of your favorite headlines read, Lindsay Lohan hits photographer with her car, Jodie Foster assaulted 17 year old kid who she claims is a paparazzi, Kristen Stewart compares been photographed by paparazzi to being raped, January Jones hits 3 parked cars after trying to get away from paparazzi, Paparazzi hiding out in trees after Alec Baldwin returns from Hospital, and the list goes on.
So once again how far is too far, apparently not far enough if these types of headlines keep popping up. We don't need someone else to die to realize that the paparazzi are getting really dangerous with their tactics, so we do hope something is done sooner rather than later.
In a similar scenario, Mad Men star, January Jones almost suffered the same fate Thursday night. In an attempt to get away from the swarming paps, she swerved and hit 3 parked cars. Early on, the police thought it was a hit and run, but it was far from it. January walked a few blocks to her home to call 911 and then returned to the scene, but again, for the paps, how far is too far.
There is a new law in California that is in the works, where photographers will now have to obey celebs privacy, but really is that good enough. In this over exposed world that we live now, it is not out of the realm to see photographers popping out of trees, and staking out favorite hot spots that celebs frequent.
What we are saying is, we understand magazines have to stay in business by taking pictures and writing stories, but why go to the extent of making these celebs cause harm to themselves just to get away from you.
In the past 6 months, some of your favorite headlines read, Lindsay Lohan hits photographer with her car, Jodie Foster assaulted 17 year old kid who she claims is a paparazzi, Kristen Stewart compares been photographed by paparazzi to being raped, January Jones hits 3 parked cars after trying to get away from paparazzi, Paparazzi hiding out in trees after Alec Baldwin returns from Hospital, and the list goes on.
So once again how far is too far, apparently not far enough if these types of headlines keep popping up. We don't need someone else to die to realize that the paparazzi are getting really dangerous with their tactics, so we do hope something is done sooner rather than later.
Lindsay Lohan’s paparazzi Twitter rant
Troubled actress Lindsay Lohan is looking so much better since she was made to wear her SCRAM bracelet. But, she doesn’t appear to want the paparazzi to continue documenting her every move.She took to Twitter last night to rant a little bit about the relentless snappers. She said, “Can’t paparazzi just disappear for one night? Just so I don’t have severe anxiety? Its like, one night off- like work days and weekends!!!! I’m rambling now…but if not that- arrest them lapd for their wreckless driving and running stop signs & lights for once!”
June 12, 2010
Gaga Strips, Flips at Mets Game
She rails against photographers by taking off clothes
Lady Gaga, upset at being seated too close to photographers at yesterday’s Mets game, did what any rational person would do: She stripped to her undies. Gaga—who was seated in the front row yet and was, for some reason, surprised to find photographers nearby shooting the game—cursed out the snappers, relocated to a private box (owned by...Jerry Seinfeld), showed the world her sparkly skivvies, then started dancing and flipping everyone off.“She felt it was unfair that she was seated right by the paparazzi,” a pal explains to the New York Post. “Having them take pictures of her all game would've been annoying to all the fans. She went up to the box and said, 'F--- you! F--- you!' to the photographers who were messing up the game for everyone else.” She also apparently kissed a random woman.
June 11, 2010
World Cup Photographer Robbed at Gunpoint
A Portuguese photographer covering the FIFA World Cup soccer tournament was robbed at gunpoint by two men who took his camera equipment, the AP reports. The robbery occurred at the photographer’s hotel room in Magaliesburg, South Africa, which is 75 miles northwest of Johannesburg and roughly 44 miles from the soccer stadium in Rustenburg.
Photographer Antonio Simoes told his paper, the Portuguese daily O Jogo, that at about 4 a.m. this morning, he awoke when two men entered his room at the Nutbush Boma Lodge. One pointed a gun at his head while the other took about $35,000 worth of camera and computer equipment, his passport, cellphones, World Cup accreditation and cash.
"Then they told me to lie on the bed and they covered me with a blanket, pressed the gun against my head and told me to sleep. The whole thing took one or two minutes, but it felt like hours," Simoes told The Associated Press.
Two other journalists staying at the lodge, Miguel Serrano and Rui Gustavo, also found their rooms had been robbed while they slept.
Security has been a concern for many photojournalists who must travel between venues within South Africa to cover matches during the World Cup, which kicks off June 11. In an interview with PDN in the run-up to the tournament, sports photographer Streeter Lecka, who shoots for Getty Images, said, ìI know that our personal safety is an area of concern. Our editorial team has made it a high priority, making sure that there is always a few of us at each venue to travel together—keeping us together as a team.
January Jones involved in car wreck, reportedly blames paparazzi
Mad Men star January Jones, who plays Betty, the icy blonde (soon-to-be-ex) wife of Jon Hamm's Don Draper, was apparently involved in a car collision in Los Angeles Thursday night, the LAPD tells TMZ.
The actress, 32, was at the wheel of a Range Rover around 9 p.m. when she allegedly lost control and collided with three parked vehicles, resulting in major damage.
One witness is quoted as telling police that Jones left the scene on foot, having said, "I can't deal with this commotion."
Jones reportedly returned later and said she had left the scene – and her license in the Range Rover – because she was being followed by paparazzi. The report says she walked home to call 911 before returning to her vehicle.
She has not been cited or arrested in the case.
Police, who have impounded her car and launched an investigation, say no alcohol or drugs were involved.
June 10, 2010
Shia LaBeouf Swipes Paparazzo's Camera
Shia LaBeouf was caught red handed when he tried to remove camera equipment from a X17 paparazzo's car in Hollywood on Wednesday afternoon, according to X17 Online. The 'Transformers' star reportedly saw the paparazzi swarming outside of his house and decided the only way to keep them from snapping photos was to take the cameras out of the equation. He helped himself to the equipment and reportedly returned to his residence to call the police. Police eventually had LaBeouf give up the camera and didn't arrest him.
"We handle each incident on a case-by-case basis," an unnamed official told X17 Online.
Of course, LaBeouf has had a few run-ins with the paparazzi in the past and has stated how much he hates his privacy being invaded. In April, Pacific Coast News reported that LaBeouf got into an altercation with a photographer while he was filling up his truck at a gas station.
After realizing he was being photographed, he charged a photographer and allegedly said, "If you follow me all day, I am going to f**k you up."
June 9, 2010
The Paparazzi: Snapshot of Our Times
"The only real thing is paparazzi," photographer Harry Benson told The Observer last week in his thick Scottish accent. We were at Monkey Bar for the after-party of the New York premiere of Smash His Camera, a documentary about Ron Galella, Mr. Benson's fellow shutterbug and perhaps the most famous of all paparazzi. "There's no photojournalism any more. It's all posed, all fake," said Mr. Benson, famed photographer of the Beatles. "The only real legitimate photography going on is by paparazzi."
A rare breed, the paparazzi. Tazio Secchiaroli zoomed around Rome on his Vespa, crowding his famous subjects' personal space, before racing off to surprise Sophia Loren or snap a drunken leading man. Mr. Benson talked his way into the homes of presidents, the funerals of public leaders, the hotel rooms of rock stars. Mr. Galella hid in bushes with forged press credentials waiting for The Shot. "Paparazzi" comes from the name of a pesky photographer in Fellini's La Dolce Vita, based on Secchiaroli.
It's also Italian for "buzzing insect."
They've been villains for decades, but first-wave paparazzi like Mr. Galella and Mr. Benson and their contemporaries are now becoming famous-and respected as photographers. In just the past two years, and almost out of nowhere, major galleries in London, New York, Berlin and Los Angeles have staged exhibitions of paparazzi photos, singling out a few "insects" from the swarm as artists. Mr. Galella's photographs are in the collection of the Museum of Modern Art, where the HBO documentary about his career premiered. Mr. Benson has had solo exhibitions at the National Portrait Gallery and British Museum. A 2008 exhibition in West Hollywood even touted images from TMZ.com as "fine art."
It's not just that paparazzi are outlasting their artistic critics; Curators, dealers and photographers themselves said the changing face of American celebrity-and the country's incessantly growing fascination with it-has made paparazzi photography the dominant style of this new century. If so, Mr. Galella and Mr. Benson are the medium's Da Vinci and Michelangelo.
"He transformed the idea of how we could represent famous people," said Brian Wallis, the chief curator of the International Center of Photography, about Mr. Galella's work. "On a purely aesthetic level [he brought] amateur photography, or the snapshot, into the realm of photojournalism."
"I did it for the art," Mr. Galella told The Observer of his career. He wore his camera around his neck, and on the strap were two buttons featuring pictures Mr. Galella took of Jacqueline Kennedy Onassis, his most famous subject. The two engaged in a legal battle in the '70s over his right to shoot versus Onassis' right to privacy. In 1975, the court ordered Mr. Galella to not come within 25 feet of her. The text of one of the buttons on his camera reads her quote: "I thought you were in jail."
The art world long had a similar disdain for paparazzi and their pictures. "When we started, no one showed this work, and much of it was scorned," said Takouhy Wise, the director of Staley-Wise gallery, which has represented Mr. Benson for a decade. (Other spaces that have exhibited paparazzi work include The Robert Miller Gallery, Paul Kasmin, Savile Row's James Hyman and the Helmut Newton Foundation.)
"I think the negative aspect of the paparazzi today is there's such a pursuit of people who have negative ways of living. The drugs and abuse. Which is a symptom of our times. And they're recording it." She added: "Once we have enough distance, it probably will define our decade."
The paparazzi snapshot, according to some curators, is the new century's dominant image-the one that circulates the Internet like a virus, the one produced not only by the phalanx of cameramen huddled outside a nightclub, but also by anonymous teenagers with iPhones. Everyone is an artist. Everyone is famous. Paparazzi have made it so.
A rare breed, the paparazzi. Tazio Secchiaroli zoomed around Rome on his Vespa, crowding his famous subjects' personal space, before racing off to surprise Sophia Loren or snap a drunken leading man. Mr. Benson talked his way into the homes of presidents, the funerals of public leaders, the hotel rooms of rock stars. Mr. Galella hid in bushes with forged press credentials waiting for The Shot. "Paparazzi" comes from the name of a pesky photographer in Fellini's La Dolce Vita, based on Secchiaroli.
It's also Italian for "buzzing insect."
They've been villains for decades, but first-wave paparazzi like Mr. Galella and Mr. Benson and their contemporaries are now becoming famous-and respected as photographers. In just the past two years, and almost out of nowhere, major galleries in London, New York, Berlin and Los Angeles have staged exhibitions of paparazzi photos, singling out a few "insects" from the swarm as artists. Mr. Galella's photographs are in the collection of the Museum of Modern Art, where the HBO documentary about his career premiered. Mr. Benson has had solo exhibitions at the National Portrait Gallery and British Museum. A 2008 exhibition in West Hollywood even touted images from TMZ.com as "fine art."
It's not just that paparazzi are outlasting their artistic critics; Curators, dealers and photographers themselves said the changing face of American celebrity-and the country's incessantly growing fascination with it-has made paparazzi photography the dominant style of this new century. If so, Mr. Galella and Mr. Benson are the medium's Da Vinci and Michelangelo.
"He transformed the idea of how we could represent famous people," said Brian Wallis, the chief curator of the International Center of Photography, about Mr. Galella's work. "On a purely aesthetic level [he brought] amateur photography, or the snapshot, into the realm of photojournalism."
"I did it for the art," Mr. Galella told The Observer of his career. He wore his camera around his neck, and on the strap were two buttons featuring pictures Mr. Galella took of Jacqueline Kennedy Onassis, his most famous subject. The two engaged in a legal battle in the '70s over his right to shoot versus Onassis' right to privacy. In 1975, the court ordered Mr. Galella to not come within 25 feet of her. The text of one of the buttons on his camera reads her quote: "I thought you were in jail."
The art world long had a similar disdain for paparazzi and their pictures. "When we started, no one showed this work, and much of it was scorned," said Takouhy Wise, the director of Staley-Wise gallery, which has represented Mr. Benson for a decade. (Other spaces that have exhibited paparazzi work include The Robert Miller Gallery, Paul Kasmin, Savile Row's James Hyman and the Helmut Newton Foundation.)
"I think the negative aspect of the paparazzi today is there's such a pursuit of people who have negative ways of living. The drugs and abuse. Which is a symptom of our times. And they're recording it." She added: "Once we have enough distance, it probably will define our decade."
The paparazzi snapshot, according to some curators, is the new century's dominant image-the one that circulates the Internet like a virus, the one produced not only by the phalanx of cameramen huddled outside a nightclub, but also by anonymous teenagers with iPhones. Everyone is an artist. Everyone is famous. Paparazzi have made it so.
June 3, 2010
Calif. moves to crack down on paparazzi tactics
Paparazzi could be arrested for loitering outside a celebrity's home or workplace under a measure moving through the California legislature.
The California Assembly passed the bill Thursday on a 41-12 vote. It would make it a crime for individuals to engage in surveillance to get a photo, image or recording of a celebrity.
Democratic Assemblywoman Karen Bass, of Los Angeles, says celebrities have described paparazzi following their children and surrounding and jumping on their vehicles.
Bass says her bill would provide a stronger deterrent to keep "out-of-control paparazzi from violating a person's right to privacy."
The bill now goes to the state Senate.
The California Assembly passed the bill Thursday on a 41-12 vote. It would make it a crime for individuals to engage in surveillance to get a photo, image or recording of a celebrity.
Democratic Assemblywoman Karen Bass, of Los Angeles, says celebrities have described paparazzi following their children and surrounding and jumping on their vehicles.
Bass says her bill would provide a stronger deterrent to keep "out-of-control paparazzi from violating a person's right to privacy."
The bill now goes to the state Senate.
June 2, 2010
A look inside the world of the paparazzi
Here's a sneak peek at tonight's interview with two of the world's most accomplished paparazzi: Ron Galella and Ben Evenstad. Their advice for celebrities who don't like getting their photo taken: don't go outside. Do you agree?
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